Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Jan Bogumil Plersch
Fireworks in honor of Catherine II in 1787.

ID: 89877

Jan Bogumil Plersch Fireworks in honor of Catherine II in 1787.
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Jan Bogumil Plersch Fireworks in honor of Catherine II in 1787.


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Jan Bogumil Plersch

painted Tadeusz Kosciuszko falling wounded in the battle of Maciejowice in 1794  Related Paintings of Jan Bogumil Plersch :. | Kiss me and You-ll Kiss the Lasses | Montmartre:Quarry,the Mills (nn040 | La petite barque | Self-Portrait | Coast Scene with Europa and the Bull |
Related Artists:
st ambrose
Milan; feast day December 7) Bishop of Milan. Raised in Rome, he became a Roman provincial governor. As a compromise candidate, he was unexpectedly elevated from unbaptized layman to bishop of Milan in 374. He established the medieval concept of the Christian emperor as subject to episcopal advice and censure when he forced the emperor Theodosius to seek forgiveness from the bishop, and he opposed tolerance for adherents of Arianism. He wrote theological treatises influenced by Greek philosophy, including On the Holy Spirit and On the Duties of Ministers, as well as a series of hymns. His brilliant sermons and personal example converted St. Augustine.
VERSPRONCK, Jan Cornelisz
b. ca. 1597, Haarlem, d. 1662, Haarlem
Cristofano Allori
Italian Baroque Era Painter, 1577-1621 was an Italian portrait painter of the late Florentine Mannerist school. Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani (1558-1605) who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing. Allori also appears to have worked under Cigoli. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of Correggio's works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several specimens are to be seen at Florence and elsewhere. The finest of his works is his Judith with the Head of Holofernes. It exists in two copies in the Pitti Palace in Florence and in the Queen's Gallery in London.






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